Bāguàzhăng
(八卦掌) 
   
Sun  Lu-t'ang performing circle-walking |  
 | Also known as |  Bāguà zhăng; Pa Kua Chang |  
 | Focus |  Hybrid |  
 | Hardness |  Internal (nèijiā) |  
 | Country of origin |    China |  
 | Creator |  Dong  Haichuan (董海川) |  
 | Olympic sport |  No |  
Bāguàzhǎng is one of the major "
internal" (a.k.a. 
Nèijiā) 
Chinese martial arts. 
Bāguà zhǎng  literally means "eight trigram palm," referring to the 
trigrams  of the 
I Ching (
Yijing), one of the canons of 
Taoism.
[1]
History
The creation of Baguazhang, as a formalised martial art, is  attributed to 
Dong  Haichuan (董海川) in the early 19th century, who apparently learned  from 
Taoist, masters in the mountains  of rural 
China.
[2]  There is evidence to suggest a synthesis of several pre-existing  martial arts taught and practised in the region in which he lived,  combined with Taoist circle walking. Because of his work as a servant in  the Imperial Palace, he impressed the emperor with his graceful  movements and his skill at martial arts and became an instructor and a  body guard to the court.
[3]  Dong Haichuan taught for many years in 
Beijing,  eventually earning patronage by the Imperial court.
[4]
Famous disciples of Dong to become teachers were 
Yin Fu  (尹福), 
Cheng  Tinghua (程廷華), 
Song Changrong (宋長榮), 
Liu Fengchun  (劉鳳春), 
Ma Weiqi (馬維棋), 
Liu Baozhen(劉 寶珍), 
Liang Zhenpu (梁振蒲) and Liu Dekuan (劉德寛).  Although they were all students of the same teacher, their methods of  training and expressions of palm techniques differed.
[1]  The Cheng and Liu styles are said to specialize in "Pushing" the palms,  Yin style is known for "Threading" the palms, Song's followers practice  "Plum Flower" (梅花 
Mei  Hua) palm technique and Ma style palms are known as "Hammers." Some  of Dong Haichuan's students, including Cheng Tinghua, participated in  the 
Boxer Rebellion. In general, most Bagua practitioners  practice either the Yin (尹), Cheng (程), or Liang (梁) styles of  Baguazhang, although Fan (樊), Shi (史), Liu (劉), Fu (傅), and other styles  also exist. (The Liu style is a special case, in that it is rarely  practiced alone, but as a complement to other styles.) In addition,  there are substyles of the above styles as well, such as the Sun (孫),  Gao (高), and Jiang (姜) styles, which are substyles of Cheng style.
Modern styles
Common aspects
 
  Internalist Zhang  Zhaodong, also known as Zhang Zhankui.
  The practice of circle walking, or "Turning the Circle", as it is  sometimes called, is baguazhang's characteristic method of stance and  movement training. All forms of baguazhang utilize circle walking  prevalently as an integral part of training. Practitioners walk around  the edge of the circle in various low stances, facing the center, and  periodically change direction as they execute forms.
[5]  For a beginner the circle is six to twelve feet in diameter.
[3]  Students first learn flexibility and proper body alignment through the  basic exercises, then move on to more complex forms and internal power  mechanics. Although the internal aspects of baguazhang are similar to  those of xingyiquan and tai chi, they are distinct in nature.
Many distinctive styles of weapons are contained within baguazhang,  some use concealment like the "scholar's pen" or a pair of knives (the  most elaborate, which are unique to the style, are the crescent-shaped 
deer horn knives).  Baguazhang is also known for practicing with extremely large weapons,  such as the Bāguà
jian (八卦劍), or  'Bagua Sword', and Bāguà
dāo (八卦刀) or, 'Bagua Broadsword'. Other, more  conventional, weapons are also used, such as the staff (gun), the spear  (qiang), the crutch (guai), the hook sword (gou) and the straight  (double-edged) sword (jian). Baguazhang practitioners are also known for  being able to use anything as a weapon using the principles of their  art.
Baguazhang contains an extremely wide variety of techniques as well  as weapons, including various strikes (with palm, fist, elbow, fingers  etc), kicks, joint locking techniques, throws, and distinctively evasive  circular footwork. As such, baguazhang is considered neither a purely  striking nor a purely grappling martial art. Baguazhang practitioners  are known for their ability to "flow" in and out of the way of objects.  This is the source of the theory of being able to fight multiple  attackers. Baguazhang's evasive nature is also shown by the practice of  moving behind an attacker, so that the opponent cannot harm the  practitioner.
Although the many branches of baguazhang are often quite different  from each other (some, like Cheng style, specialize in close-in  wrestling and joint locks, while others, like some of the Yin styles,  specialize in quick, long-range striking), all have circle walking,  spiraling methodologies, and certain methods and techniques (piercing  palms, crashing palms, etc.) in common.
Baguazhang movements employ the whole body with smooth coiling and  uncoiling actions, utilizing hand techniques, dynamic footwork, and  throws. Rapid-fire movements draw energy from the center of the abdomen.
Baguazhang in  popular culture
 
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